By John H. Foote
Finally, of the great films about the war in Vietnam comes to Blu Ray! One of the best films of Brian De Palma, a brilliant director makes its way to Blu Ray, to be seen as he intended.
Ten years after Apocalypse Now (1979) rolled on movie screens, the definitive film about the war in Vietnam, three years after Oliver Stone’s powerful Oscar winning Platoon (1986) came Brian De Palma’s incendiary film about the conflict in Southeast Asia, Casualties of War (1989). Having read the article upon which the film is based in 1969, De Palma had long given up on ever making the film, which had been a dream project of his. The huge success of his crime drama The Untouchables (1987) finally put him in a place to make the film, casting Sean Penn and in a unique bit of casting, TV icon Michael J. Fox, popular for the comedic Back to the Future films.
Before cameras had even rolled the questions about the suitability of Fox came up, hitting the actor and director hard. First, De Palma believed in the young actor, which should be enough he felt, but second, Fox was a gifted actor who wanted to make a dramatic film, an important film with a strong director. HIs name was a box office draw, he had a huge built in audience from television, was well liked and well thought of in the business, and De Palma wanted him. No one had any right to say a word about the cast.
The story of the film was distressing, even heartbreaking, an exploration of the worst in humanity; a group of American soldiers kidnap a young Vietnamese girl, take her right out of her home from her family for what they cal a little portable R and R. Angered that their liberty has been denied, enraged one of their friends was killed in front of them, there is a hurricane swirling inside Sgt. Meserve (Sean Penn) and he lashes out. The young woman, not yet twenty is taken, raped repeatedly by the men, except for Erikkson (Fox) who refuses to take part in the atrocity and at one point tries to free the girl, bringing the wrath of Meserve upon him.
When the girl is murdered and thrown from a bridge to hide their crime, Erikkson can take no more, and reports the men for what they did. When an attempt is made on his life he gets serious and fights back, assaulting one of them with a shovel, threatening Meserve that no further harm should come to him, and he sees to it the men are court martialed for their crimes.
Years later Erikkson has a nightmare on a bus and sees a young Asian woman staring at him, she bears an uncanny resemblance to the murdered girl. It has never left him, it never will. There to fight a war, some men got high on killing, some got high on power, some slipped over the edge with it.
Sean Penn is astonishing as Meserve, a gifted soldier, born to be a warrior, but not in this war. Nothing goes according to plan in Vietnam; the Viet Cong fight a very different way than the Americans. Booby traps, tunnels, primitive weapons, the Americans were simply not prepared for their conviction, their sheer will to win. Something snaps inside Meserve when Brownie, his best friend is killed, and he never comes back from it. Very few actors capture rage as startling as does Penn, and it was astonishing that he began the decade as a surfer dude in Fast Times at Ridgemont High (1982) and ended it with this searing performance. BY this point in his career it was clear Penn was the finest young American actor at work in the movies, and he would just get better eventually winning two well deserved Academy Awards for Best Actor. Many critics of the time felt he should have been nominated for this performance.
Though not as powerful a presence as Penn, Michael J. Fox acquits himself well and is the conscience of the film in a fine, gentle performance of great humanity. He cannot quite believe what he is experiencing, he cannot wrap his head around what his fellow Americans, fellow soldiers are doing to this poor young girl. The horrified look on his face as he watches her mother pathetically hand her a shawl, is heartbreaking as we realize he speaks for all of us. Though he continued as a light comedic actor, rarely stepping into intense drama again, he had the chops to do it. Fox does not quite possess the depth as an actor to pull off the final scene in the film, where Erikkson sees a young woman on a bus who resembles Oaha, but he is game throughout the film and never embarrasses himself.
As Oaha, the unfortunate victim of this madness, Thuy Thu Lee is stunning in a performance that is a tableau of pain. Beyond the rape, beyond the brutalization of this poor soul, we know that she must be asking why? Why is this happening to me? She is the great bleeding heart of the film, one who deserves nothing that happens to her, she is the target at the center of the hurricane and has no chance. When the men finally murder her, beaten and bloody, it has become a mercy killing because how could she live her life after this nightmare?
There are strong supporting performances from a young John C. Reilly, on his way to becoming a great character actor and Don Harvey, a Lee Marvin look-a-like who rages all the time.
De Palma gives the film a beautiful look surrounding the horrors with the lush green of the jungles yet makes us aware from the beginning beneath that beauty is death in the form of booby traps and Viet Cong soldiers lurking just out of sight.
Why the studio, Columbia chose to release the film in the summer is beyond me, this is not summer fare. In theatres that summer was Batman (1989), Ghostbusters II (1989), When Harry Met Sally… (1989) and Indiana Jones and the Last Crusade (1989) giving a film like this no chance of being discovered by an audience. Not even the rave Pauline Kael gave the picture helped draw audiences to the work.
Watching the film for the first time I remember the walk outs, mostly women, not being able to bear what was taking place on screen. I remember feeling sickened, horrified by what I was seeing, but felt compelled to see it all for the young woman who died at the hands of these men.
There are times ugliness is art.
John H. Foote is a well-recognized Canadian film critic/historian who has been an active critic for 30 years. His deep love for the movies began at a very young age. He began his career as co-host of the popular TV show Reel to Real where he remained for nine years. While on TV he began dabbling in education, eventually ascending to Director of the Toronto Film School, where he also taught film history. After leaving the college to care for his wife, he returned to teaching at Humber College where he taught both Film History and Method Acting Theory. John has written two books: “Clint Eastwood – Evolution of a Filmmaker” and the upcoming “Spielberg – American Film Visionary”. He is currently working on two books, one about the films of the seventies and another on the films of Martin Scorsese. Through his career he has worked in TV, radio, print and the web. John has interviewed everyone in the industry (more than 300 interviews) except Jack Nicholson, he says sadly. Highlights include Martin Scorsese, Tom Cruise, Meryl Streep Robert Duvall, Jane Fonda, Francis Ford Coppola and Kathryn Bigelow.